CONTENTS: Inspiration & Acknowledgement, Preface, Syllabus of Various Music Institution, PART-01 (THEORY) PART-A: Sangit and Lalit Kala & Its Types, Natyotpatti Katha, Nrityotpatti Katha, Natan Bheda, Eight Classical Dance Forms of India, Gharana of Kathak Dance, Anga, Pratyanga and Upanga, Shiro Bhed (Head Gesture) & It's types, Drishti Bhed (Eye Glance) & It's types, Greeva Bhed (Neck & Movements) & it 8 types, Mudra & Hasta mudra-Asamyukta hasta mudra, Samyukta hasta mudra, Some de inition of Kathak Dance (Theory), Some de inition of Kathak Dance (Practical), Importance of Ghungroo, Merits & Demerits of Kathak Dancer, Life Sketch of Kathak Exponents, National Award in Kathak Danced, PART-01 (THEORY) PART-B: Sangeet & Its Components, Gayan Shaili (Singing Style), Vadya Vargikaran (Types of Instruments), Brief Introduction of Tabla, Method of Tuning Tabla, Accompaning Instruments used in Kathak Dance, PART-02 (PRACTICAL): Taal Paddhati, Taals in Ekgun, Dugan, Tigun and Chaugun Laya, Laya & Layakari, Layakari, Tatkar in the following Taals, Tatkar and its Palte in Teentaal, Jhaptaal and Ektaal Vandana used in Kathak Dance, Some Kavitta used in Kathak Dance, Solo Sequence of Kathak Dance, Photols of Asamyukt hasta mudras, Photos of Samyukt hasta mudras, Eight Classical Dance Pictures, Some picture of Marami Medhi & Meghranjani Medhi.