The book revisits approaches to South Asian feminist politics through the lens of shared historical memories and their social spatialisation. The author looks at borderlands, socialist visions of internationalism, cultures of travel, theatre history, artist-activist performances, and connected histories of discrete geo-political formations. Locating the book’s spatial context in Bengal—for its long tradition of militant movements and its historical cross-border connections—Sinha Roy attempts to release the spatial into South Asian feminism and historicise the space and place of Bengal in a dynamic relationship with time. She argues that in addition to plotting a temporally progressive chronological story of gender, violence and love in the inert space of Bengal (bracketed by national and international borders), the practices of spatialisation play an active role as temporal emplotment, in organising and prioritising the major place-based arguments.